On the voyage’s first day in Viet Nam, Professor Faye Serio’s Drawing at Sea class set out to sketch in Ho Chi Minh City. The students had been learning about perspective drawing while on the ship, but hadn’t previously taken their lessons into the field. Professor Serio, Senior Lecturer from Saint Lawrence University, explained, “Working from a printout is often easier since it is a flat, unmoving piece of paper; working in front of an actual building is sometimes extremely difficult. The building can’t move but often the artist or the paper moves. So the actual process of transferring information from what is seen in life with all the angles, walls, corners, twists and turns is challenging.”
As the students visited pagodas in the Chinese neighborhood and historic monuments downtown, they were asked to make observations, take notes or sketches, and photograph with the intention of later using the information they collected in an artist journal they are keeping throughout the entire voyage. They had the opportunity to spend extensive time making a perspective drawing at Giac Lam Pagoda. Professor Serio observed, “Most students on the field lab discovered that perspective isn’t as threatening a concept as they thought. Many techniques introduced and used since early in the semester, such as measuring in units, viewing and duplicating angles, have become an integral part of each drawing experience.”
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